Yishu典藏國際版 [第93期]:One Country, Two Systems: A Hegemonic History of Public and Private Museums in China

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Parallel title:Yishu: Journal of Contemporary Chinese Art

Author:Yishu Office編輯

Publication Year:2019.07-08

Publisher:典藏雜誌社

Place of Publication:臺北市

Latest Issue 20190701

Frequency : Biyearly


About the magazine: 雜誌的名稱 YISHU 直接取自中文藝術之音譯,是第一份當代華人藝術英文季刊。探討全球化環境中華人藝術的現狀與前景﹔介紹國際學術界對華人藝術的最新論述和研究﹔提供中外學者﹑藝術家之間相互交流對話的的平臺﹔為當代華人藝開拓術深廣發展的國際空間舞台。

本期內容簡介
 
One Country, Two Systems: A Hegemonic History of Public and Private Museums in China
 
Tasting Antiquity in a “Newborn Palace of Art”: Collecting and Displaying Chinese Calligraphy at the Tsinghua Art Museum
 
Reviews: Chengdu Cosmopolis #1.5: Enlarged Intelligence, Cao Fei and the New Metallurgists, Ai Weiwei’s Humanity
 
Displacement as Empowerment: The Art Practices of Kunlin He and Yi Xin Tong
 
A Home for Photography Learning: The Friday Salon, 1977–1980

雜誌簡介
 
《典藏國際版》為全球第一本專注於中國當代藝術和文化的英文雜誌,自2002年5月創刊以來,經過十年的努力,終成為藝術和學術領域最令人注目的期刊之一。如今它出現在諸多國家的大學、美術館和圖書館中,為中外學者提供了跨文化對話溝通的一個重要平台。
 
About Yishu
 
Yishu: Journal of Contemporary Chinese Art is the first English language journal to focus on Chinese contemporary art and culture. Each bi-monthly issue features scholarly essays on topical issues, interviews with artists and curators, conference proceedings, and critical commentary on exhibitions and books. Yishu offers a platform for a wide range of voices who are living and telling the story of contemporary Chinese art from a diversity of perspectives, and who provide dialogue and debate around current visual and literary forms produced within what constitutes an expanded understanding of contemporary Chinese art.
 
Since its inauguration in May 2002, Yishu has raised its profile internationally to become one of the most respected journals devoted to contemporary Chinese art. Appealing to professionals in the art and academic fields, as well as art enthusiasts in general, Yishu is now the journal of record for the high quality coverage of issues and events pertinent to Chinese art today. Its high standard of critical writing by thinkers from around the world allows us to voice ideas that communicate across cultures.

  • 編者手記(p.2)
  • 作者小傳(p.4)
  • 「一國兩制」:中國公共與私人美術(博物)館的主導史(p.6)
  • 「新生的藝術宮殿」的古色古味:清華大學藝術博物館的書法收藏與展示(p.23)
  • 是不是雙年展:關於藝術生態──評蓬皮杜中心的成都「全球都市」#1.5:《延展智慧》(p.45)
  • 新(新)人身:曹斐和《新冶金者》(p.57)
  • 分析艾未未《人性》──「批評與自我批評」的意義(p.71)
  • 家中的攝影班:星期五沙龍1977-1980(p.79)
  • 為流離失所充權賦能:何昆霖與童義欣的藝術實踐(p.94)
  • 中英人名對照(p.108)
The issues of the Magazine (total 38)